Company Decalage's newly created work in progress performed at The place,london UK, 30 september 2007 as part of "Touch Wood" made at the choreodrome during the summer 07 choreography and dancers Mickael marso Riviere and Navala chaudhari, music by Jayson Kalidas

Company Decalage performing Breaking Point: Al Limite in front of a full House as part of Breakin' Covention 2009 at London Sadlers Well 2009. Featuring four dancers and two musicians and was inspired initially by the effect of the music on people in the hip-hop culture and the bboying scene. Exploring examples of the breaking point in the media, and in our everyday lives. From the critical moment of personal stress, to the the bboy throwing down to the break in the music, breaking point is the instinctive human response to emotion, music, society, life... Concept: Mickael Marso Riviere Directed: Mickael Marso Riviere and co-directed by Navala Chaudhari Choreographed In Collaboration with dancers by: Mickael Marso Riviere, Navala Chaudhari. Kevin Turner, Sabri Colin Music: composed & performed by Miguel Marin & Jason Kalidas Lighting designer: Bill Deverson Costume designer: Ameena Kara Callender Commissioned by The Place Prize 2008. www.theplace.org.uk

3rd Prize winner of the Solo Choreographic contest at the 15 Masdanza International competition 2010. Marso presents a slightly reworked version of the solo "Eteins Pas" wich was originally made at The Place. About the piece: A fragment of an idea that has evolved into a work in progress, Developed during Choreodrome 2009 at the Place (London), the piece was inspired by the idea of life after death, with many ideas coming from reading stories about out of body experiences. "This source material was a great stimulus to challenge my existing movement vocabulary and ways of thinking while performing. The piece is partly improvised."

Developped and produced in Barcelona with the support of UK Birmingham City Council, Dancexchange, Theatre Tantarantana and Centre de la barceloneta in Barcelona Spain. Choreographed and performed by Mickael Marso Riviere Music specially Composed and Performed by Miguel Marin. "In this new work, the characters of Life and Death become real. this abstract vision shows Death holding control, choosing when to switch off Life. Meanwhile Life, in the guise of an ordinary person in his last moments, attempts to evade the inevitable." “About Eteins Pas"(last 10min) A fragment of an idea that has evolved into a work in progress, Developed during Choreodrome 2009 at the Place in London. The piece was inspired by the idea of life after death, with many ideas coming from reading stories about out of body experiences. "This source material was a great stimulus to challenge my existing movement vocabulary and ways of thinking while performing. The piece is partly improvised."

Specially commissioned for the 10 years Anniversary of Breakin Convention 2013 UK All Stars Line up. the creation period was only seven days, The piece was performed on the main stage at Sadlers Wells, London, 6th of May 2013. “ConsuMorphosis”. (work in Progress). This is the last of a series of 3 “metamorphos-ically” inspired dance work to see the light. The work aims to portrait a non literal image of what the future could be after we’ve consumed everything there is on earth. The work was heavily inspired from images by Photographer Chris Jordan (chrisjordan.com), some of his images are featured as a projection at the start of the piece. “Metamorphosis phenomenas are all around us and part of life on many levels, a constant motion and adaptation of our world...?use, using up, utilization, expending, depletion; waste, squandering, dissipationtransformation, mutation, transmutation, change, alteration, conversion, modification, remodeling, reconstruction; transmogrification; transubstantiation: ConsuMorphosis "Company Decalage's ConsuMorphosis was one of the new works I was most glad existed of the ten commissioned dances in Breakin' Convention 2013, and one I would gladly see again. (Donald Hutera, dance writer for The Times) Concept/Directions: Mickael Marso Riviere Choreography: Mickael Marso Riviere+ additional Movement from the...

This new work draws inspiration from Samuel Beckett’s Waiting for Godot and in particular, the spiritual journey of the play’s central characters Vladimir and Estragon. Rather than making direct references to the play’s text, Marso Riviere and Salah El Brogy will utilise their own responses, thoughts and feelings cast from watching the original staged version of the play by using this as a departure point to create movement and shape the work. In a sense, by re-visiting the play’s themes in this way, Marso and Salah are continuing Vladimir’s and Estragon’s repetitive and recursive cycles and responding physically to the ideas presented by the play around waiting, nothingness and time.

In Matches, Guy Nader and Mickael ‘Marso’ Riviere construct a visually breathtaking place where destruction and renewal, devastation and beauty are never far apart.

Specially commissioned by the cultural Olympiad, Big dance, Dance4, Corby Core and Corby city council SwimMorphosis took place at the internantional pool in Corby using all 3 pools, diving platforms, and the entire building with a cast made of professional dancers, young dancers from local schools and the community surrounding Corby and the Midlands.

Interview with West Midlands Dance about ConsuMorphosis